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An​/​Animal

by Hurrah A Bolt of Light

/
1.
An/Animal 1 04:09
Fade in from black, zoom into scene. The message was lost. The message you waited for. Covered in dirt, too hard to see. You looked away like I was an animal. I was there from the start. Staring into the sun. Singing Ave Maria oh so sweetly at the top of my lungs. I was there from the start. Carry me back, back into scene. It’s breaking my heart to be so believable. Character set. It’s my face on the screen. And I ‘ll play my part because I’m just an animal. I was there from the start, staring into the sun. Singing Ave Maria oh so sweetly at the top of my lungs. I was there from the start. Holding the hand of my mother. I can feel her pulling me closer as I fall into the water. hmm yes down in the water. Tell my mother that I love her. Tell my father I’m gone.
2.
An/Animal 2 02:51
Mama, I know I let you down. But my house was on fire. I was in the clouds. I left my weight back on the ground. Those arms will never hold me now. Hold me close. They tell me that there’s nothing left to know. They tell me that there’s nothing left to hope for and never tell their dirty little secret. Bit by bit they took it all. So we built a house and so they built a wall. To keep some out keep some in the cold. To keep us down and in control. They hold us down. They hold us close. They tell us that there’s nothing left to know. They tell us that there’s nothing left to hope for and never tell their dirty little secret. Oh yes. Oh won’t you rise like a morning rise and be the city of light? Oh won’t you rise, rise like a tidal wave be the water?
3.
An/Animal 3 04:25
Hey there, don’t make a sound. you move too much. Just settle down. My God. He’s on the television. He feeds me dreams. He grants me vision. I know, my dear, that I must seem very little but I was made for bigger things. Just a little. They could be right, I could be wrong there might be nothing to fear from the dark but there might be something. I don’t ever want to feel broken. I don’t ever want to feel empty and soulless. There I am in the back with a knife in my hand and you over my shoulder. I don’t ever want to feel broken. Come on now, let’s take a ride and I’ll let you live another night. My God. He’s on the television. He stays my hand; guides the incision. I know that you’re supposed to bleed just a little. So open up your heart to me, just a little. Now I could be right I could be wrong there might be nothing to fear in the dark but there could be something. Am I always going to be broken? Am I always going to be empty and soulless? There I am in the back with a knife in my hand and you over my shoulder. Am I always going to be broken? Tell me I’m right tell me I’m wrong tell me there’s nothing to fear in the dark, tell me I’m here just tell me something. Just tell me now. Is there any point in me? Now I’m never going to be broken. Now I’m never going to be empty and soulless. There I am in the back with a knife in my hands and you over my shoulder. Now I’m never going to be broken.
4.
An/Animal 4 04:16
I fell from the tallest tree. Arms couldn’t hold me. Betrayed by the canopy. I curse at the wind but its moving too fast for me. I lie in the fallen leaves. Dead little soldiers ever serving Her Majesty. Caught in an endless coil that will bring no relief with steel and gold. I’m turning screws until I bleed. I pour white fire through my arteries. I forged my heart in a factory with steel and gold. Working all through the night. My anvil and I. It gives to me little fight and bends the whorl to my eye. And with the sun I shall rise. Unveil a twisted design of steel and gold. Bottoms up now my friends, I won’t see you again, I am off to the sea. I will travel by night and when I open my eyes I will be the machine you need.
5.
Fade in from black, zoom into scene. The message was lost. The message you waited for. Covered in dirt, too hard to see. You looked away like I was an animal. I was there from the start. Staring into the sun. Singing Ave Maria oh so sweetly at the top of my lungs. I was there from the start. Carry me back, back into scene. It’s breaking my heart to be so believable. Character set. It’s my face on the screen. And I ‘ll play my part because I’m just an animal. I was there from the start, staring into the sun. Singing Ave Maria oh so sweetly at the top of my lungs. I was there from the start. Holding the hand of my mother. I can feel her pulling me closer as I fall into the water. hmm yes down in the water. Tell my mother that I love her. Tell my father I’m gone. Mama, I know I let you down. But my house was on fire. I was in the clouds. I left my weight back on the ground. Those arms will never hold me now. Hold me close. They tell me that there’s nothing left to know. They tell me that there’s nothing left to hope for and never tell their dirty little secret. Bit by bit they took it all. So we built a house and so they built a wall. To keep some out keep some in the cold. To keep us down and in control. They hold us down. They hold us close. They tell us that there’s nothing left to know. They tell us that there’s nothing left to hope for and never tell their dirty little secret. Oh yes. Oh won’t you rise like a morning rise and be the city of light? Oh won’t you rise, rise like a tidal wave be the water? Hey there, don’t make a sound. you move too much. Just settle down. My God. He’s on the television. He feeds me dreams. He grants me vision. I know, my dear, that I must seem very little but I was made for bigger things. Just a little. They could be right, I could be wrong there might be nothing to fear from the dark but there might be something. I don’t ever want to feel broken. I don’t ever want to feel empty and soulless. There I am in the back with a knife in my hand and you over my shoulder. I don’t ever want to feel broken. Come on now, let’s take a ride and I’ll let you live another night. My God. He’s on the television. He stays my hand; guides the incision. I know that you’re supposed to bleed just a little. So open up your heart to me, just a little. Now I could be right I could be wrong there might be nothing to fear in the dark but there could be something. Am I always going to be broken? Am I always going to be empty and soulless? There I am in the back with a knife in my hand and you over my shoulder. Am I always going to be broken? Tell me I’m right tell me I’m wrong tell me there’s nothing to fear in the dark, tell me I’m here just tell me something. Just tell me now. Is there any point in me? Now I’m never going to be broken. Now I’m never going to be empty and soulless. There I am in the back with a knife in my hands and you over my shoulder. Now I’m never going to be broken. I fell from the tallest tree. Arms couldn’t hold me. Betrayed by the canopy. I curse at the wind but its moving too fast for me. I lie in the fallen leaves. Dead little soldiers ever serving Her Majesty. Caught in an endless coil that will bring no relief with steel and gold. I’m turning screws until I bleed. I pour white fire through my arteries. I forged my heart in a factory with steel and gold. Working all through the night. My anvil and I. It gives to me little fight and bends the whorl to my eye. And with the sun I shall rise. Unveil a twisted design of steel and gold. Bottoms up now my friends, I won’t see you again, I am off to the sea. I will travel by night and when I open my eyes I will be the machine you need.

about

AN/ANIMAL presents its audience with four songs strung into one narrative, made complete by the eerie visuals of its accompanying short film. Fans are invited to consume AN/ANIMAL in its entirety or in pieces. The music features imaginative arrangements, ethereal to explosive dynamics, primal urgency, deceptively catchy hooks, and elements from gospel, indie, rock, prog, country, ambient, and, as always, an infectious pop sensibility. Thematically, the lyrics are poetic, obtuse, and alive with desperation.AN/ANIMAL presents its audience with four songs strung into one narrative, made complete by the eerie visuals of its accompanying short film. Fans are invited to consume AN/ANIMAL in its entirety or in pieces. The music features imaginative arrangements, ethereal to explosive dynamics, primal urgency, deceptively catchy hooks, and elements from gospel, indie, rock, prog, country, ambient, and, as always, an infectious pop sensibility. Thematically, the lyrics are poetic, obtuse, and alive with desperation.

View the official video for An/Animal here:

youtu.be/O_QlhIDf6Cg

credits

released January 28, 2022

COMPOSER: Wil Farr

PERSONNEL:
Wil Farr (vocals, guitars, bass, synthesizers, percussion, programming)
Dan Wintersteen (drums)
Jacob Pleakis (piano, synthesizers)
Seth Faulk (backing vocals)
Brandi Thompson (backing vocals)
Matt Krahula (backing vocals)
Josh Benash (synthesizers, soundscapes)
Kenny Shaw/Doug Drewes (sampled performance)

RECORDED AT: A Bloody Good Record (long island city, new york)

ADDITIONAL TRACKING AND MIXING AT: 157A Studios (minneapolis, minnesota)

PRODUCTION, TRACKING AND MIXING: Wil Farr

VINYL MASTERING: Kris Hayes / Easy Plateau Productions

DIGITAL/VIDEO MASTERING: Kris Hayes / Easy Plateau Productions

ACKNOWLEDGEMENTS
Doug Drewes
Jacob Pleakis
Kenny Shaw
Dave Freedman
Kenny Warren
Peter Hess

ALBUM ART: Chhe Creative

COPYRIGHT C 2020
PUBLISHED BY: the lonelyrockstar, 2020 (ASCAP)

FILM CREDITS

WRITER:Wil Farr
DIRECTOR: Ian McCabe
PRODUCER: BobbiAnn Zaccarelli
DIRECTOR OF PHOTOGRAPHY:Chris Keenan
SECOND CAMERA: Chris Moore
THIRD CAMERA: Mike Shade
SET DESIGNER: Rob Cleaveland
MAKEUP ARTIST: Samantha Jane Gurewitz
EDITOR: Wil Farr

CAST OF AN/ANIMAL
Derik Boik
Wil Farr
Neil Constantine
Hal Phillips
BobbiAnn Zaccarelli
Andrea Jones-Rooy
Paul Kelleher
George McKirdy
Abby Payne
Jayme Videa
Kristin Benzinger
John Bishow-Semevolos
Lindsay Burdick Witts
Lauren Cannon
Ronen Codor
Caroline Golub
Danny Golub
Roberta Hickey
Matt Krahula
Laura Lonski
Joanna Moshman
Anthony Rocco
Brandon Rosario
Adam Scott
Emily Vetsch
Greg Witts

THANK YOU TO
Rob Cleaveland
Kristin Benzinger
Mark Law
Faith Briggs
Colin Edelman
Chris Sgroi
Maggie May Swimwear
Reverend Jackson and the First Reformed Church of Astoria
Nick Goldring

SPECIAL THANKS TO
George McKirdy for the use of your restaurant, space and clawfoot tub

SPECIAL THANKS TO
Seth Faulk for the use of your home, property and piano

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